Monday, April 28, 2014

Hot Seller: Carol Lee Shanks

We love trends.  And from the look of our Gallery sales sheets, we're seeing a spring trend blossoming in Wearable Art.  Put into three words, one could simply call it Texture - Layers - Edge.

Or Carol - Lee - Shanks.





“I strive to make beautifully simple, unstructured garments that feel good on the body, function well and are easy to care for. Integral to these ideals is the element of surface texture which, as my work evolves, will continue to play an essential role in my process. I consider any unexpected results to be fascinating and welcome it…. The way we feel on the inside should be reflected by the layer we choose to wear on the outside."

Carol Lee Shanks designs and handcrafts clothing and textile art pieces. She has a great reverence for cloth, which is the foundation of her inspiration, and personally constructs each garment, one by one, building collections made from carefully selected fine materials. Her dressing concept encompasses coordinated silhouettes layered for style and comfort.  Whether worn on the body or suspended within a room, her work becomes moving sculpture.


Carol was taught to sew by her mother and her aunt at the age of ten. She attained a degree in Textile and Costume Design from the University of California at Davis in the mid-seventies, where she was fortunate to learn from many influential leaders in her chosen field. The artist attributes the expansion of her imagination to her studies at Davis, which gave her a broader picture of the world. Through the window of textiles, she was exposed to the vast world of global cultures, diverse people and places that continues to inform her art.


When first coming into contact with a piece of Carol’s work, it's best to take a close look: her designs are, we suggest, deceptively simple, with subtle detailing.  It’s easy to miss these unexpected elements, but they elevate each garment to the status of a one-of-a-kind work of art.

Carol accomplishes this in each piece as she manipulates the cloth, layering opaque and transparent elements, then stitching, piecing and wrapping them.  Thus, she is able to create greater surface interest and transform flat, linear shapes into dimensional silhouettes.  She might incorporate pieces of other fabrics that match in color though not in texture – seemingly mismatched, scraps saved, not discarded – that become details, perhaps, on a sleeve, a pocket, or on the back to create a patchwork of geometric or architectural elements or the appearance of free-form quilting. 




Trademark elements in her work, however, are selvage edges.  Selvages are the raw, imperfect edges produced on woven fabric during manufacturing which protect the fabric from unraveling on the bolt.
While most clothing makers cut their garment pieces specifically to exclude the selvage from the finished garment, Carol loves their happy irregularity and imperfection – certainly another take on the Japanese concept of wabi-sabi – and uses them to great effect.

Carol works and exhibits her clothing and textile art from her Berkeley, California studio. Her work is shown and sold in galleries throughout the United States and has been included in international shows and fiber art publications.

Seattle-based arts writer Robin Updike, quoted from her article “Carol Lee Shanks: Refining the Silhouette” in the July 2012 issue of Ornament magazine, comments on Carol’s work:

“Not only is Carol’s clothing singular in its architectonic-meets-romantic aesthetic, but there’s an impressive element of environmental awareness in her work. For instance, Carol tries to use up scraps of fabric each season, sometimes using tiny leftovers as ornament on other fabrics. Or she simply makes two-dimensional artworks - fabric collages really - to hang on the wall. Lots of style, not much waste. It’s impressive.”

Carol has designed an understated, timeless look meant to be collected piece by piece over many seasons.

Recent arrivals at the Gallery:

Thai Silk Stitch Resist Pieced Tunic, long


Thai Silk Stitch Resist Pieced Tunic


Watermelon Red Linen Pocket Tunic, long
These pieces are not yet viewable in the online shop but will be soon.

Details on Carol's most recent shows:



Our customers often request garments in special sizes.  While Carol can recreate a garment's design, one will often see slight changes from the original that render each garment essentially a one-of-a-kind item.

Catch a glimpse of Carol's clothing in the Gallery and the online shop, here.



(Photographs Courtesy of the Artist/E. Opalenik/S. Roth)
 

Saturday, April 26, 2014

You're Invited: First Friday Artwalk, May 2, 2014

Come join the Bainbridge Island community for a leisurely stroll along Winslow Way, a little wine, some hot music, and plenty of art!

We are opening a solo wood-fired ceramics show, featuring great music from Peter Spencer and the All-Stars, live outside on the Plaza.  Information below:

Pod IV.   Robin Hominiuk


Earth Elements

Wood Fired Ceramics by

Robin Hominiuk

 May 2 – May 31, 2014

Reception:  First Friday, May 2nd, 6-8 pm

Featuring Paintings by

Gerardo Aguayo
Esperanza Grundy


Peter Spencer & the All-Stars

in Concert on the Plaza

Location: 

The Island Gallery, 400 Winslow Way E., #120, Bainbridge Island, Washington
206.780.9500 / www.theislandgallery.net
e-mail:  ssn@theislandgallery.net

Sunday, April 6, 2014

Concert: Second Friday with Peter Spencer & the All-Stars

Acclaimed fingerpicking guitarist, singer and songwriter Peter Spencer is back with a concert on a special night, along with the newly-formed (and fabulous) All-Stars.  Peter and the gents will perform their trademark blend of blues/R&B and classic rock in our back room from 6-8 pm.  Below are all the details:


Place:

The Island Gallery
400 Winslow Way E., #120
Bainbridge Island, WA 98110

Contact:

206.780.9500
 
 We'll see you there!

Thursday, April 3, 2014

Don Reitz: An Extraordinary Ceramic Artist



Don Reitz, an internationally renowned artist in a medium he described as dirt and salt, died on March 19, 2014, at his home in Clarkdale, Arizona, aged 84.  A ceramicist, Mr. Reitz was known for pushing the limits of ceramic arts, taking it from functional dinnerware to rustic ornamental pieces crafted from mounds of manipulated clay and massive works of abstract art.  He is also credited more than any other modern ceramic artist for reviving the medieval technique of salt firing, in which salt added to a hot kiln yields textured surfaces far different from those made with conventional glazes.

Born in Pennsylvania and reared in New Jersey, Mr. Reitz was dyslexic and far preferred working with his hands to doing his schoolwork.  He enlisted in the Navy in 1948 and went from there to a career as a butcher, eventually tired of that, and enrolled in a painting class at Kutztown State Teacher’s College in Pennsylvania.  In his last semester in college he discovered pottery and embraced it as his true calling. 

After earning a Bachelor’s degree in art education in 1957, he taught in New Jersey public schools, moving on to earn a Master of Fine Arts degree from New York State College of Ceramics in 1962.  He then joined the faculty at the University of Wisconsin where he taught from 1962 until 1988, and was professor emeritus there at the time of his death.

Among his honors are a gold medal from the American Craft Council, the organization’s highest award. His work is in the collections of the Smithsonian Institution, the Museum of Arts and Design in New York, the Museum of Fine Arts in Boston and many private collections.

Apparently, he found his success in his chosen profession improbable:  “Here I am, 78 years old, working in mud,” he said in a 2008 interview. “And people pay me for it.”

The Island Gallery is honored to have included Mr. Reitz’s works in our collection over the years.  He conducted a workshop in our area several years ago, and we noted that when discussing his talent, the local ceramic artists referred to him simply and in hushed tones as “The Man”.


Punchout.  Don Reitz
Lidded Jar.  Ron Reitz

Tuesday, April 1, 2014

You're Invited: First Friday Artwalk, April 4, 2014


Western Landscapes
A Continuing Exhibition

March 7 - April 27, 2014

Mark Bowles ~ William Thompson ~ Jen Till
Theodore Waddell ~ Irene Yesley

Reception:  First Friday, April 4th, 6-8 pm

Discussion, William Thompson:  "The Art of Seeing"

Friday, April 4th, 7 pm

Join us this First Friday Artwalk for what will surely be
a spirited discussion of fine art photographer
William Thompson's art and vision.

Also featured:

Artist Esperanza Grundy's collage and acrylic Faces Series
Jewelry by Bainbridge Island artist Woodleigh Hubbard
Silk shibori scarves by weaver Cyndi Wolfe

Plus recently arrived Ceramics, Textiles, and Wearable Art

Location:

400 Winslow Way E., #120
Bainbridge Island, WA

(Underground Parking Available at The Winslow off Ericksen Avenue)

Sunday, March 30, 2014

March 2014 Gallery Picks Newsletter

If you are a regular reader of our monthly Gallery Picks Newsletters, you may have noticed a gap in February.  And indeed, we confess, we skipped a month.  So sorry!  Life intruded upon us, as life is wont to do from time to time.  But we're back on schedule, and are delighted to show off several marvelous pieces recently arrived from our incredibly talented artists.  To highlight our continuing exhibition featuring paintings and fine art photography, we'll bookend this post with two stunning examples of wall art currently on display in the Gallery.

To see further information on any of the items shown, please click on the link to be magically transported to our online shop.  Ah, technology!

Also of note:  We will soon be blogging more extensively about our Annex locations.  Stay tuned...

Enjoy!

Prague.  Esperanza Grundy
We welcome wonderfully talented Seattle artist, Esperanza Grundy.
A member of the Women Painters of Washington, Esperanza has won numerous awards
for her works in collage and watercolor.  With a BFA in Industrial Design from the
University of Washington, she has lived both in the Southwest and Northwest. 
 As the artist notes, color is the main ingredient in her work, in abstract compositions
which explore the lives of  literary artists (Bedside Table Series), the American Flag,
or the place of women across cultures.

Esperanza explains her Faces series, and comments on her work in general:

Color is the main ingredient in my work.  Faces began as an exercise
to abstract the human face.  It became important to show the similarities
and the differences in the faces of various cultures.  I used color and various
 collage materials in an attempt to show the wounds or
the memories in the human face.

The urge to create is irresistible to me. The symbols, images, textures and colors
in my paintings and collages are my pathway to spirit and truth.
My fundamental source of inspiration is my personal heritage: my family is
hispanic and native american and has lived in the Southwestern US for
many generations. Cultural explorations continue from there by
listening to other people's stories, traveling to exotic places,
reading and dreaming.

I love to gather, arrange and layer materials. Everything is a potential
element: paper and fabric scraps, my own handmade papers, paint,
stencils, transfers and photographs. Using cast off "compost" to give
new life to art is richly symbolic to me. Creating physical depth through
layering allows me to more deeply express ideas and feelings. I hope
the layers act as levels to invite emotions, thoughts, memories
and meaning for viewers of my art.

Currently, Esperanza's work is on display in the Gallery (small Faces series)
and at our Realogics Sotheby's International Annexes:  Here on
Bainbridge Island, 271 Madison Avenue S. (Bedside Table series);
and at our Kirkland Annex, 15 Lake Street, Kirkland, Washington
(her large Faces series).


Lou Zeldis Domino.  Woodleigh Hubbard
The Island Gallery welcomes Bainbridge Island jewelry artist and award-winning
 author and illustrator of picture books for children, Woodleigh Marx Hubbard.
Praised as a talented artist - her paintings have been compared to the works
of modern artists such as Pablo Picasso, Henri Matisse, and Joan Miro -
and an inventive creator of concept books, Woodleigh has also been
designing jewelry since the late 1990s, incorporating colored stones
with the unusual antique pieces she discovers at estate sales and other sources.
 
Born in Sharon, Connecticut, Woodleigh grew up in an artistic home; her father
was an artist and her mother a writer. As a young adult, she traveled in
Europe, where she was particularly influenced by French modernists.
Initially working in pen and ink, she moved to color after losing her
entire artistic portfolio while traveling from France to the United States.

Woodleigh comments on her jewelry:

Being surrounded by children as a children's book illustrator
for so many years has shown me the endless possibilities
of an enthusiastic mind, the creativity of chaos, the
unmitigated joy of an imagination gone w i d e.
It has inspired me to embrace new venues for expression,
jewelry being the latest.  John F. Kennedy said,
"Conformity is the jailer of freedom and the enemy of growth."
I say, "Amen and Hallelujah!"

It's uptown meets downtown and gets a little bit naughty.
Balinese engraved silver whispers sweet nothings to vintage glass.
Fancy faceted garnet sidles up to a bold ring of African metal.
Citrine flirts shamelessly with pressed glass from China.
Young delica makes come-hither eyes at an elder Italian beach stone
(heart-shaped!) - oooo-la-la!! An old, beat-up, hand-painted
Swedish wooden bead is placed next to smoky topaz - watch
her sparkle in a hot haze of appreciation as he warms to a glow
and becomes ooh, so debonair!

Many of these characters are one-of-a-kind antiques. A necklace
or bracelet might be centered around an Indian silver bridal charm
or handmade blown bead; a pair of earrings might sport a
capricious carnelian coyly whistling Dixie to a Venus on the half shell
metal charm, or a prim pearl basks in the glow of a hunk of
Russian silver. Occasionally there will be a series based on one
design, but most pieces are unique. Each is individually crafted
and speaks with its own personality, as reflected in its title.

You are what you eat.
You are what you think.
You are what you wear,
so
Grin And Wear It!!

More of Woodleigh's jewelry will soon be featured in our online shop.
Her pieces are beautiful, thoughtful, wonderfully constructed, and
terribly intriguing compilations of components and findings collected
from around the world.  Don't miss taking a look at them here,
or come into the Gallery to get acquainted in person.


Italian Mid-Century Modern Folding Chair
Just arrived:  Two Italian cane and chrome folding chairs.
These are vintage items, the latest in our mid-century modern
finds, that are lightweight, convenient, beautiful, and altogether
quite splendid pieces of furniture.  Easy to store, they can
pop out to seat extra guests or be left at a desk or easel as
a permanent placement.  If you need more than two, let us know;
we'll see what we can do.

In the same category, we have six similar mid-century modern, stackable
Directors'-style chairs on the way, in black leather with black
steel frames.  Bold!


Silk Shibori Scarves:  Blue/Teal, left; Blue/Purple, Right.  Cyndi Wolfe

Oh boy!  Brand new scarves!

We're certainly enjoying the work of our newest textile artist Cyndi Wolfe,
a weaver, dyer and surface design artist with a love of the interplay between color,
fiber and structure.  In fact, color is her passion, particularly as it is influenced
by the quality and intensity of light.  She has been creating and embellishing
cloth for over 20 years, focusing on producing textiles that communicate
a sense of beauty and order.

Cyndi uses silk almost exclusively in her work because of its luminous
and reflective qualities.  Her woven silk scarves have the feel of watercolors
because she dye-paints the silk yarn before it is woven.  Her choice of colors
and the luxurious feel of the silk are intended to bring the wearer
a sense of harmony and well being.

Currently, Cyndi is exploring texture and color through using
stitched shibori and other surface design techniques in addition to
her weaving.  Silk has a memory - when manipulated and then dyed the
final piece becomes a clear map of the processes used.  Whether stitched
and gathered, folded and clamped or pleated and compressed, the end
result transcends the apparent nature of the original material.  Thus, silk
can be made to look like wood or recall the heat of a fire,
as well as accessorizing a favorite garment.
  
Cyndi's unusual and stunning shibori designs make these
scarves real standouts.  We'll be adding more to our
online shop right here as the days roll on, so stay tuned!

Sea Star, Illuminated Sculpture.  L. Wendy Dunder
Yet another stunning piece from the studio of artist
L. Wendy Dunder, our extraordinarily creative illuminated
sculpture expert.  This is a rather large wall or ceiling sconce
entitled Sea Star, its whimsical swirls suggesting the delicate
inner architecture of shells, its form mimicking our area's
starfish, for a truly Northwest design.  This piece would
be a great addition to a home with beach view, or perhaps even
more appropriately, to provide a bit of a beach vibe for landlubbers!

Created from thin slices of wood painstakingly formed,
clamped and then covered in many layers of paper to
build up a remarkably sturdy and durable skin, Wendy's pieces
are both beautiful and functional - in other words, rather perfect.


Sheer Silk Box Shirt.  Roselle Abramowitz
One of Roselle's terrific hand-painted shirts, this is a flowing
boxy style in silk chiffon that is feather light.  The "plaid" design
may look casual, and could look very relaxed with, say, a plain white silk tee;
but dress this beautiful piece up with a vibrant yellow or
royal blue cami and a great piece of jewelry (a necklace with
a big lapis focal bead, perhaps, or really bold silver earrings -
or, dare we suggest, the little yellow number shown)
and you have a garment that will take you to the opera, or
your favorite snazzy, jazzy night on the town.

We currently have several of these in other colors and slightly different
styling, as well as many of Roselle's other fabulous pieces,
so come on in to the Gallery and take a peek or visit our
online shop at Roselle's page here.


Necklace:  Little Flowers for Antonio Lopez (Yellow).  Begona Rentero
What more is there to say about the extraordinary art of
Beegona Rentero?  Her jewelry only gets better.
This is an older style but we never, ever get tired of
looking at her beautiful, eco-friendly jewelry inspired by flora and
sea fauna.  Begona makes her own papers from silk, cotton and other
fibers, hardening them through a special process so that they can easily
be worn for everyday use. They are ultra-lightweight, and feature all natural dyes.

This bright, happy necklace is simply the epitome of spring, isn't it?
Bring on sunshine! 


Earth Meadow.  Jen Till
 And, as promised, another lovely piece of wall art in the
form of a new oil on canvas work from Bainbridge Island artist, Jen Till.

This zen-like piece with its contemplative view of
an early spring meadow is a great example of Jen's
trademark gauzy style.  One of her smaller pieces at 16" x 20",
it draws us in with tender, almost demure suggestions of the
soft lightness to come, and the unexpected joy to be found
in a field dappled with nature's colors.


That wraps up March!  We'll be back with another Newsletter next month, and in the meantime keep an eye on the blog for informational posts on upcoming events, news, concerts and sales.   We would also like to ask readers, whether nearby or far away, to please take a few moments to recall our area's recent catastrophic landslide that demolished the small community of Oso, Washington, and honor the victims and survivors with your good thoughts and, wherever possible, your generosity.