Showing posts with label bill smith. Show all posts
Showing posts with label bill smith. Show all posts

Thursday, September 22, 2016

You're Invited: First Friday Artwalk, October 7, 2016

Lovely Autumn is in full swing and we can promise you beautiful artwork and lots of swing at the Gallery this coming Artwalk!

Here's what's happening (which you must NOT miss):

Bologna Blues n27. Watercolor and collage



Bologna Blues Series
Virginia Paquette

October 7-31, 2016

Watercolor & Collage

Reception with the Artist
First Friday, October 7th, 6-8 pm

Featuring
Anne Pell Jazz Trio
with guest performance by
Bill Smith


For a residency at the Conservatorio di Musica in Bologna this year,
Virginia Paquette painted these mixed-media works as part of a collaboration
with Bill Smith.  They are her visual responses to his works of music,
influenced by their years together in Italy.  Paquette responds to Smith’s music
with color, line, rhythm, gesture, and collage of found images,
salvaged from the streets of Italy.

About the Artist:  An MFA graduate in painting from the University of Washington, Virginia Paquette has worked and exhibited internationally.  Her art responds to motion and memory, and is inspired by natural forms and phenomena.  Winner of numerous public art commissions, Paquette has collaborated with her husband, Bill Smith, on site performance installations here in the Pacific Northwest and Seattle area, as well as around the world, including “Deluge,” created for Queen Victoria Museum, Launceston, Australia, “Saffeides” at Teatro Greco in Rome, and with ARTKOAMIA performance consortium.

About the Musicians: 

Bill Smith is a U.S. clarinetist and composer, working extensively in modern classical music, Third Stream and jazz, and perhaps best known for having played with pianist Dave Brubeck intermittently from the 1940s until Mr. Brubeck’s death.  As Brubeck himself said, Smith is "one of the all-time greats."

Smith was born in Sacramento, California on September 22, 1926, and grew up in Oakland, California.  Through most of his youth Smith’s hero was Benny Goodman, and at the age of  thirteen Smith put together a jazz group; at fifteen he joined the Oakland Symphony. After high school he toured briefly with a dance band, then attended the Juilliard School of Music while playing at night in New York jazz clubs, but soon returned to California.  At Mills College in Oakland he met pianist Dave Brubeck.

Smith was an original member of the Brubeck Octet and later occasionally subbed for saxophonist Paul Desmond in the Dave Brubeck Quartet.  Smith performed on and contributed compositions to the group's first recordings in the late 1940s and early 1950s.  In the 1960s he again recorded with Brubeck – whose 1960 album with the Quartet, Brubeck à la Mode, featured ten of Smith's own compositions - recording an album a year until he moved to Seattle in 1966.

Smith studied composition at the University of California, (bachelor's and master's degrees), going on to teach there, at the San Francisco Conservatory, and at the University of Southern California.  In 1966, Smith began a career which spanned thirty years at the University of Washington School of Music in Seattle.

Smith won the Prix de Paris, studying for two years at the Paris Conservatory.  In 1957 he was awarded the prestigious Prix de Rome.  He has since received many other awards, including two Guggenheim grants.  His compositions and recordings, as a solo artist and with others, are numerous.
Over the years Smith has investigated and cataloged a wide range of extended techniques on the clarinet.  He was among the early composers interested in electronic music, and as a performer continues to experiment.  He remains active nationally, internationally, and on the local Seattle music scene, where in 2008 he composed, recorded, and premiered a "jazzopera" titled Space in the Heart. 

Anne Pell Jazz Trio:  A Bainbridge Island resident since 1994, Ms. Pell received her BFA in jazz piano from Cornish College of the Arts in 2005, graduating summa cum laude.   She previously studied piano, voice and music theory at the Longy School of Music in Cambridge, Massachusetts.

In 2010 Ms. Pell became the music director and conductor of Schola NovaSchola Nova is a group of about 20 women who sing Evensong at St. Barnabas Episcopal Church.  In 2012 Ms. Pell became the director of the Compline Choir, an a capella choir of about 15 men who also sing at Saint Barnabas.  In the summer of 2013 she founded Amabile, a larger mixed choir group dedicated to expressing love through choral music.

Ms. Pell has worked as a full-time private piano instructor on Bainbridge Island for almost 20 years, specializing in jazz, blues, and classical music, composition/arranging classes, theory, and jazz ensembles.  She performs in myriad gig settings including jazz clubs, private parties, local fundraisers, concerts, and private recitals, playing solo piano or with a jazz trio or quartet.  Ms. Pell has worked as a professional accompanist for over 30 years.  She was the accompanist for The Bainbridge Chorale for 14 years.

Ms. Pell has been composing, arranging and interpreting music for many years: her original works include choral compositions, liturgical chants and hymns, piano duets, Christmas songs, a flute and piano suite, and various jazz tunes.  Her new arrangement of Bach’s Cello Suite in G, for jazz quartet with viola, debuted in 2009.

In November 2009 Ms. Pell instituted the annual “For Our Children” benefit concerts.   All proceeds go to Bainbridge Island's Helpline House for their Children’s Enrichment Fund, a fund created by Ms. Pell specifically for arts and music education for children and teens in our community.

Event Location: 

The Island Gallery, 400 Winslow Way E, #120, Bainbridge Island, Washington.

Underground parking is available at The Winslow off Ericksen Avenue.















Monday, June 2, 2014

You're Invited: June 2014 Artwalk

This June, we are delighted to present new works by Seattle artist Virginia Paquette.  Come downtown to meet her on First Friday, and enjoy a taste of wine, an appetizer, and a lovely late-spring evening, strolling with your friends through downtown Winslow.

Raw materials n7.  Acrylic and collage on paper.  Virginia Paquette
(Photo Credit: Spike Mafford)


MATERIE PRIME/raw materials

Virginia Paquette

June 6 – 29, 2014

Reception with the Artist:
First Friday, June 6, 6-8pm

This is a series of works, both large and small,
that combine painting and elements of collage.
The texture, color and contrast are both sharp and organic,
inspired by body and landscape.

Music Performed by Bill Smith.


Location:  The Island Gallery, 400 Winslow Way E., #120, Bainbridge Island, Washington

About the Artists:

Virginia Paquette:  An MFA graduate in painting from the University of Washington, Virginia Paquette has worked and exhibited internationally.  Her art frequently depicts a sense of movement and change, and is inspired by natural form, color, and phenomena.   Winner of numerous public art commissions, Paquette completed an environmental installation celebrating the Millennium and Education for a Washington State “Art in Public Places” project on the campus of Bellevue Community College, a work in glass for the Redmond campus of Lake Washington Technical College, and “Velocity” for the entrance to Columbia Basin College technical arts building in Pasco, Washington.  She continues to explore more processes and media, develop performance-installations with her husband, clarinetist and composer William O. Smith, as well as teach and exhibit.

In my art I have sought to depict motion, memory and contradiction.  I am drawn to the sense of objects and space on the move, of color and shapes and lines in flux.  And sometimes the connection between the shape of nature and the shape of the human gesture is an inspiration: The similarity of the tendril, the curve of the hip, the cascade, the vocabulary of posture.  I often work with images of movement, from natural forms and phenomena: floods, “deluge,” the vortex and spill of moving water in defined spaces, whirlpools.  The “memory” is transplanting visual cues from one place/time to another, perhaps fragments of classical figures or architecture – or “time” from my own history.

“Materie Prime/raw materials” is about the raw materials of composition, color, shape, movement - not quite refined, but raw and lively.


Bill Smith - also known as a classical composer under his full name, William O. Smith - was born in Sacramento and grew up in Oakland, California, where he began playing clarinet when he was ten. He put together a jazz group at 13, and at the age of 15 he joined the Oakland Symphony. He idolized Benny Goodman, but after high school, a brief cross-country tour with a dance band ended his romance for the life of a traveling jazz musician. He gave two weeks' notice when the band reached Washington, D.C., and, encouraged by an older band member to "get the best education you can get," headed to New York.  He began his formal music studies at the Juilliard School of Music, playing in New York jazz clubs like Kelly's Stables at night.

Bill returned to California upon hearing and admiring the music of Darius Milhaud, who was then teaching at Mills College in Oakland. At Mills, he met pianist Dave Brubeck, with whom he has often played since, in both the famous Dave Brubeck Octet and The Dave Brubeck Quartet, as well as other groups, notably with Brubeck at the Lincoln Center.  In 1947, he composed Schizophrenic Scherzo for the Brubeck Octet, one of the earliest works that successfully integrated jazz and classical techniques, a style that later was given the name "third stream" by Gunther Schuller. He studied composition at the University of California, Berkeley, where he graduated with a bachelor's and a master's degree.

Winning the Prix de Paris presented Smith the opportunity for two years of study at the Paris Conservatory, and in 1957, he was awarded the prestigious Prix de Rome and spent six years in that city. He has since received numerous other awards, including two Guggenheim grants.
After a teaching stint at the University of Southern California, Smith began a thirty-year career at the University of Washington School of Music in Seattle, where he taught music composition and performance from 1966 to 1997.

Smith has investigated and cataloged a wide range of extended techniques on the clarinet, including the use of two clarinets simultaneously by a single performer, inspired by images of the ancient aulos encountered during a trip to Greece, numerous multiphonics, playing the instrument with a cork in the bell, and the "clar-flute," a technique that involves removing the instrument's mouthpiece and playing it as an end-blown flute. 

As William O. Smith, he has written several pioneering pieces that feature many of these techniques, including Duo for Flute and Clarinet (1961) and Variants for Solo Clarinet (1963), and he compiled the first comprehensive catalogue of fingerings for clarinet multiphonics. Smith was among the early composers interested in electronic music, and as a performer he continues to experiment with amplified clarinet and electronic delays. He remains active nationally, internationally, and on the local Seattle music scene as well, where in 2008, he composed, recorded, and premiered a "jazzopera" titled Space in the Heart.

For More Information Contact:  The Island Gallery, 206.780.9500 or ssn@theislandgallery.net