Dave Berfield, Ceramist: #3

The Flowers and the Wedding

Over the past few months, we have chronicled the design, construction and
firing in a wood fire kiln of ceramic flower vases for artist Dave Berfield’s
daughter’s wedding. This blog post follows the final artistic preparations
and use of the vases.

We first visited the project as Dave was designing and building the
vases and preparing them for firing (see Post #1).  Then we observed Dave
and his friend, Joe O’Brien, as they fired the vases (see Post #2).
On the Wedding’s Eve, it was time for another set of artists to
demonstrate not only their loving support for the couple,
but also their skills as Master Flower Arrangers.
 

Flower Arranging is an ancient art that requires an eye for floral
composition as well as a keen understanding of the physical attributes
of the plants that are used.  After all, even the best floral display
loses its luster if wilted!  The wedding was blessed with the contributions
of two outstanding floral artists: Suellen Cunningham, who lives here on 
Bainbridge Island, and is a neighbor of the Berfields; and Brian Choy,
who lives on the island of Oahu.  Both are longtime family friends and
have watched the bride grow up.  They volunteered to be a part of the
artistic effort.  From raw clay to display, these art works are
truly a labor of love.

Both floral artists started learning their craft young.
Suellen, a lady of the South, grew up in Lumberton, North Carolina.
There was no florist in town when she was a child and Suellen
assisted an older lady in creating floral displays for others, often for
funerals and other events.  It was a volunteer effort and there was never
a charge.  The art form became a part of her life that continues to this day.
Brian, who grew up in Hawaii, was influenced by his Grandmother
who taught him floral arrangement.  An award winning Lei-Maker and
long-time teacher, for over ten years he oversaw the floral arrangements
in the Honolulu Museum of Art.  He retired from that job but continues
to volunteer with several ladies at the Honolulu Museum of Art creating
large floral arrangements on a bi-weekly basis.  He also occasionally
still makes lei for the May Day Lei Competition in Honolulu.

The Wedding Eve was a beehive of activity at Suellen’s home.
 Earlier, Brian and Suellen had selected the floral materials and by
the time the blog’s reporters arrived they had laid out materials and
were already hard at work. It all starts with buckets of flowers and ferns.
Actually, that is not accurate:  It all starts with a good eye, talent, and
experience.  The two artists have these in abundance.

The construction process of each display very much resembles the
painting of a picture, much like laying out the paints before beginning to
paint, as each flower or fern is selected by the artists for its color and
texture.  They then cut it and shape it, place it in the vase, critically
examine the effect, then select another and repeat the process. 

Soon, they have created a three dimensional picture ready
to WOW the viewers the next day. 

The artists have to be careful not only in gauging how the plants will look,
but also the structure of the piece so that it artistically holds together.  It requires
a great deal of experience and skill to blend the individual pieces into floral art;
not only the plants themselves but the structure of the vessel must be taken
into consideration.  In this case, they had begun working with Dave early
on in his design process, which resulted in the inclusion
of partitions in the vase tops.

As the works were completed they were moved into a cool spot
to wait until the morning.

 

The next day the arrangements were placed on the tables
and the celebration began.

The Bride and Groom:

Congratulations to the Bride and Groom.

And, most especially, our thanks to them, their family and artist friends
for letting us tag along on this artistic journey.

It was, without a doubt, a true labor of love. 

To view more of Dave Berfield’s wonderful ceramic art, click here to visit

his Artist’s Pages in our online Shop.

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Dave Berfield Ceramist: #1

The Island Gallery represents more than 100 artists from the United States and other parts of the world, each one unique, dedicated and inspiring.  They never fail to thrill us with the endless devotion and energy they pour into their art.

But artists, like mere humans, occasionally do things other than make art.

Occasionally.

And when they do, it’s often with an eye that sees the world in a very interesting way.

If you read the July 2016 Gallery Picks Newsletter post immediately prior to this one you may have noticed our new feature, "An Artist's Approach.”  In it we discussed how one of our mixed-media artists applies her artistic talents to cooking, creating a whole new canvas for herself in the process. (We also learned how to make a stunning – both to eat and to look at – French fruit-based dessert named Clafoutis, so everyone enjoyed that!)  Through similar contributions from our artist community, we hope to show you how our artists sometimes approach non-art related areas of their lives - and how surprises of all sorts can pop up!

For example, let's say you’re one of these wonderful artists; suddenly, your family has a big wedding coming up.  What do you do?

Call the caterer, line up a photographer, track down the minister, the engraver, the florist... right?

Well, certainly; hiring a crew of pros to help pull off a most precious family celebration is a necessary part of getting everything done.  In fact, we recommend nothing less!  But if there’s an artist in the family, the “normal” approach to wedding planning and execution is not likely where the event will ultimately end up...

In this three-part series we'll take you on a local ceramic artist’s months-long journey to contribute to one very special day, along with an up-close and personal tour of the art of wood-firing ceramics.  We hope you will enjoy it, and return for the second installment, scheduled for early August 2016. 

Ceramist & Father of the Bride

Bainbridge Island ceramic artist Dave Berfield, who exhibits with The Island Gallery,
is on a bittersweet journey. His daughter Kathleen and Shane Morrison are going to be
married here on Bainbridge Island in September.  Kathleen and Shane are both medical
doctors and met while they were in residency together at the University of Washington.
Shane is a Resident in the Plastic and Reconstructive Surgery Program and Kathleen is
a Thoracic Surgeon at the UW and the VA Puget Sound.  Kathleen, affectionately called
Sachi by her parents, made a special request of her father to create flower vases for
her wedding.   We thought it would be fun to follow and share the creative process
of a parent and artist over several months, from design to fabrication, firing and
finishing phases to the final celebration.

Dave is originally from Pennsylvania and like many of us, is now transplanted

to the Pacific Northwest.  He studied ceramics at the University of Hawaii where he

received an MFA.  But after moving to Seattle he became interested in enameling

techniques and established his own firm, The Porcelain Company, to pursue that art form.

Over the years he worked with a wide range of firms.

In addition to his own work he collaborated with many artists including the noted African
American painter Jacob Lawrence on the large-scale public mural, Games, originally
produced for the Kingdome and moved to the Seattle Convention Center when the
dome came down.   Lawrence is often considered one of the most important artists
of the 20^th century. He accepted a teaching position at the UW in 1971.

Games.  Jacob Lawrence

Although he is now working mainly in ceramics, Dave recently worked with artist

Ellen Forney on the model for her enamel on steel art work for the Sound Transit

Capitol Hill Station that opened this March.

The first step in any artistic process is design.  The design of the vases was a

collaborative effort including one of Dave’s former students, Brian Choy, now an

award winning flower designer living in Hawaii, and Bainbridge Island neighbor/flower

arranger Suellen Cunningham. Design is a “Goldilocks” process.  Here the vase

design needed to be large enough to support the flowers, but not too large for the tables.

They needed to be slender, but stable, impermeable and eye-catching.  There were a

number of trials.  The final recommendation came from Sachi who asked that

a blue glaze be incorporated in the design.  The end result, we are sure you

will agree, is "just right."

On one of our visits we found Dave hand-building several vases.  Beginning

with a lump of (stoneware) clay, he worked it, forming it into a thick, rectangular

block which he laid out on his work table.  

He then used a cutting tool made with a thin wire cutter to skillfully slice

quarter-inch thick slabs off the block. For a committed late night TV addict

it was a little like watching James Bond dealing with one of the guards who was,

unfortunately for the guard, looking in the wrong direction.

Dave then laid one of the quarter-inch slabs on the table, and using a template,

cut the slab into the shape of the vase.

He reinforced the top edges of the proto-vase...

...and then placed it upside down on a wooden form

the size and shape of the vase.

Folding the slab around the form, he took care to close the edges. 

He memorialized the bottom of each vase with initials and year, and imprinted a

stamp design on the sides of the vase, using a technique inspired by his days

in the Peace Corps observing clay artists in Colombia.  He once again sealed the

corners and ensured that the partitions were sturdy.

Dave can construct three vases an hour when he is not being interrupted by

people asking questions and taking pictures.  Under those less ideal circumstances,

production drops to about one vase every two hours.

Next, the damp proto-vases are allowed to dry and then they are bisque-fired

in an electric kiln.

This firing removes water and dries and hardens the vases so that they can be

glazed and fired in a wood-fired kiln.  Dave makes his own glazes.  He glazes

the inside of the vase so that it will hold water.  He applies a glaze on the

outside to produce the design effects he desires using

the “drip and pour” glazing method.

   

With all this completed, the vases are now ready for final firing

in his wood-fired kiln.

Next time we will highlight the firing phase! Stay tuned.

(The next post in this series, Dave Berfield Ceramist:  #2, appears in the blog on August 22, 2016.)