Tuesday, November 1, 2016

You're Invited: First Friday Artwalk, November 4th, 2016

We've made it through Halloween (we think; see next post) and the holidays are, amazingly, right around the corner.  But don't stress out about buying all those gifts, and decorating your home:  We can help!  So come visit on First Friday, sip a glass of wine, and see all the lovely things we have ready for you in this show.  For example:



November 4-30, 2016
Furniture Designers:
Carol Fiedler Kawaguchi, Carl Yurdin, David Kellum
Wendy Dunder and Reid Anderson
Fiber Artists:
Tom Johnson and Jacqueline Moseley
Glass Artists:
Ted Jolda and Ken & Ingrid Hanson
Ceramic Artist:
Robin Hominiuk

Reception with the Artists
First Friday, November 4th, 6-8 pm


MAKE IT SPECIAL!
As we all prepare to celebrate the Holiday Season,
discover one-of-a-kind gifts from local and nationally-recognized artists
and furnish your Holiday Home with contemporary furniture pieces
like sumptuous slab dining and coffee tables, benches to snuggle on by the fire,
colorful glassware to serve your guests locally-made wine and spirits,
vases for decorative flower arrangements and ornaments for centerpieces or
the tree, ceramics for the table (imagine cheery mugs for sipping spicy hot cider),
cozy fiber sculpture, even festive felt and burlap wreaths
for decking the Holiday door!

Images, above, Left to Right:
“Sweet 16”, Jacki Moseley; Dave Olsen Blanket Chest #2, Reid Anderson; Footed Plate, Robin Hominiuk;
Illuminated Sculpture Wapiti, L. Wendy Dunder; Cane Vase, Blue, Ken & Ingrid Hanson;
Coffee Table, Carol Fiedler Kawaguchi.


About the Artists

Furniture Designers:

Carol Fiedler Kawaguchi (Bainbridge Island, Washington)

Carol combines her talents as a fine artist with her skills as a fine woodworker specializing in antique restoration and repair, unique fine wood furnishings and fine art assemblages. Carol attended Seattle’s Cornish Art Institute and received a BFA from Western Washington University with a focus on Japanese Art History and Printmaking. She apprenticed to a violinmaker and a ceramicist while living in New Mexico where she opened her first woodworking and interior furnishings business. She has traveled extensively in Europe and Asia.

Carol has worked as an artist and woodworker for the past 25 years and now makes her home in Washington, on Bainbridge Island.

Carl Yurdin (Bainbridge Island, Washington)

“As an industrial designer for over fifty years, I have spent my whole career designing products that expand the visual possibilities.  Over those years, I have remained committed to high design standards, balancing functionality, user requirements, regulatory needs and overall aesthetics – for both highly consumer focused products, as well as more industrial products, like medical and construction equipment.  In my view, everything deserves the opportunity to be well designed to enhance the overall user experience.  That perspective informs how I work
today,
having moved to the Northwest and Bainbridge Island.”

David Kellum (Port Townsend, Washington)

Living and working in Port Townsend, Washington, David designs and builds residential and commercial wood furniture that allow him to join together his creative and technical abilities.  David creates graceful, contemporary pieces that highlight the natural beauty of the wood and make the most of a valuable natural resource, providing lasting beauty and utility with outstanding craftsmanship.



“I come from a family of artists and craftsmen reaching back many generations, but my training in woodworking comes as a result of interning and working with other craftsmen and along with a number of architectural designers and builders…My designs and furniture reflect my passion for fine form, simplicity and … shows the influences of Twentieth Century design styles including Art nouveau, Deco, Scandinavian, and Asian.”

L. Wendy Dunder  (Portland, Oregon)

Wendy is a professional watercolor and acrylic painter, known for depicting landscapes, still life, animals, and people. Recently, however, her focus has shifted to creating sculptural lamps of bent wood and laminated paper.  As a certified teacher and Artist in Residence in schools in her area she is also deeply involved in creating curriculum-based murals.  A hallmark of her work is the involvement of her students in the process, and together they have created permanent outdoor municipal murals of concrete, stone, tile, glass, and paint.

Reid Anderson (Seattle, Washington)  

Originally from Wisconsin, Reid mixes classical wood furniture with modern design and interpretations.  These pieces are part of a collaborative series with other well known artists across the county, ranging from professors, independent artists, and film designers.  Other works can be seen in the permanent collection at the Museum of Wisconsin Art.  

"Every piece is built to last a hundred years and beyond.  Furniture should be something for your grandchildren to grow old with.  It needs to be a mix of good design along with integrity in its construction."

Fiber Artists:

Tom Johnson (Bainbridge Island, Washington)

This body of my work - which is created by taking multiple layers of fabric, manipulating, sewing, cutting, and washing them to make the fibers “bloom” - had a serendipitous beginning. I had fabric remnants from a variety of architectural and interior design projects. I started experimenting with layering, sewing them in lines at close intervals, cutting and washing, in an effort to create a soft, tactile, dog-friendly throw for our sofa… I quickly saw lots of possibilities, determined which fabrics worked best and how this newly created “Ridge and Furrow Chenille” could be used. Benches and ottomans soon followed. “Ridge and Furrow” designs for the wall, as well as a “quilt,” developed simultaneously… I am influenced by the tradition of quilt making as well as by modern and minimalist quilts (and on some level by the randomness of Jackson Pollock)…by the surprises… the interplay of color, interpreting what I see around me … expressing a message … and the endless possibilities.

Jacqueline Moseley (Bainbridge Island, Washington)

Jacki began felting in 2012 after being attracted to the texture and dimension of felt for many years – fascinated by its properties, how to make it, and how to make things with it. She has most enjoyed making bowls, vessels and wall hangings.  She also worked with beads, sewing them onto her creations, which are made with merino wool.  She uses both wet and needle felting processes, where the wool fibers become intertwined to create a design and/or a form.

“Though I have learned how to manipulate the wool fibers, felting still seems a bit miraculous to me because something wonderful, fun or unexpected happens every time I make something new. My hope is that my pieces will provide enjoyment, color and interest to a space and others will appreciate them as much as I enjoy making them.”

Glass Artists:

Ted Jolda (Parksville, B.C.)

Working in wood, metal, fabric, and glass, Ted Jolda has been a creative force all his life. He is one of Canada's best known glass artists and has been called the nation's pre-eminent ornament maker. Working primarily in glass since 1985, he attended classes at Simon Fraser University, Western Washington University, and Sheridan College School of Craft and Design. He resides with his family on an island off the west coast of Canada.  His work is in the collections of the royal houses of England and the Netherlands, the Canadian Craft Museum and the Corning Museum of Glass, and has been exhibited internationally in numerous group shows.  His work has been presented to presidents, prime ministers and heads of state around the world; he counts U.S. President Bill Clinton and Oprah Winfrey as fans.

Ted comments on a recent brush with retail nirvana: "I had an agent, who for a couple of years took my stuff to the big Gift Trade Shows out east. In New York some of Oprah's personal shoppers saw my ornaments [Golden Pears] and liked them. Bought some and took them to show Oprah. She liked them and put them in her magazine. I knew nothing of this until about a week before the magazine came out. It was great. It was amazing. It was an incredible year. I made little else for the next year. My income (for that one year only) more than doubled… The next year I was no longer the 'new thing' and sales went back to their old - well actually slightly worse than their old levels. I had lost some clients that I couldn't supply with other work while I was making pears. I'm not complaining. Variety is good. But it was amazing while it lasted."

Ken and Ingrid Hanson (San Carlos, California)

Ken and Ingrid have worked together since their early college years. Although traditional Italian and Swedish glass-blowing techniques inspire them, they employ a bold and innovative color palette to create their unique and contemporary art glass. Paying great attention to the detail of the surface decoration on their vessels, they create brightly colored stripes and symbols of cane and murrini by hand forming and melting glass into various shapes. During the glass-blowing process they fuse these inclusions onto the surface of the glass. They often include 24K gold and pure silver leaf in many of their pieces.

"We constantly strive to evolve our ideas to create unique and exciting works of art in glass. It is the intensity and unpredictability of hot glass that inspires constant change in our work. Through collaboration, we are able share our visions and skills to create one-of-a-kind works of art."

Ceramics Artist:
Robin Hominiuk (Seattle, Washington)

Robin was born in Canada and moved to the United States in 1998.  She received her clay education via community education courses and several terms at Mt. Hood Community College.  She regularly attends workshops to keep a fresh perspective and learn new techniques.  In 2004 she built her home studio and has never looked back.

In addition to the beautiful functional pots she produces from her studio kiln, she also creates pottery and sculpture for wood firing.  These pots are fired in huge kilns based on ancient Japanese traditions.  The pots are fired for 70 plus hours with a committed group of potters and six to eight cords of wood.  Pottery fired in this intense method is transformed by flame and ash; the colors and marks cannot be replicated or produced in any other way.  Robin’s work has been featured in numerous national and international collections.

About The Island Gallery

Established in 2002, The Island Gallery features internationally recognized artists whose work takes traditional art forms in exciting new directions: studio  furniture and sculpture; museum quality textile art and wearables; wood fired ceramics from the finest potters in America; paintings and prints; and unique jewelry creations. Our monthly exhibitions include live musical concerts, featuring such genres as jazz, rock, folk, chamber music and performance art.  This, along with its reputation for excellence, makes The Island Gallery a destination spot on beautiful Bainbridge Island, a short ferry ride from Seattle.

Contact Us/Visit:



Event Location: 

The Island Gallery, 400 Winslow Way E, #120, Bainbridge Island, Washington.

Underground parking is available at The Winslow off Ericksen Avenue.

Thursday, September 22, 2016

You're Invited: First Friday Artwalk, October 7, 2016

Lovely Autumn is in full swing and we can promise you beautiful artwork and lots of swing at the Gallery this coming Artwalk!

Here's what's happening (which you must NOT miss):

Bologna Blues n27. Watercolor and collage



Bologna Blues Series
Virginia Paquette

October 7-31, 2016

Watercolor & Collage

Reception with the Artist
First Friday, October 7th, 6-8 pm

Featuring
Anne Pell Jazz Trio
with guest performance by
Bill Smith


For a residency at the Conservatorio di Musica in Bologna this year,
Virginia Paquette painted these mixed-media works as part of a collaboration
with Bill Smith.  They are her visual responses to his works of music,
influenced by their years together in Italy.  Paquette responds to Smith’s music
with color, line, rhythm, gesture, and collage of found images,
salvaged from the streets of Italy.

About the Artist:  An MFA graduate in painting from the University of Washington, Virginia Paquette has worked and exhibited internationally.  Her art responds to motion and memory, and is inspired by natural forms and phenomena.  Winner of numerous public art commissions, Paquette has collaborated with her husband, Bill Smith, on site performance installations here in the Pacific Northwest and Seattle area, as well as around the world, including “Deluge,” created for Queen Victoria Museum, Launceston, Australia, “Saffeides” at Teatro Greco in Rome, and with ARTKOAMIA performance consortium.

About the Musicians: 

Bill Smith is a U.S. clarinetist and composer, working extensively in modern classical music, Third Stream and jazz, and perhaps best known for having played with pianist Dave Brubeck intermittently from the 1940s until Mr. Brubeck’s death.  As Brubeck himself said, Smith is "one of the all-time greats."

Smith was born in Sacramento, California on September 22, 1926, and grew up in Oakland, California.  Through most of his youth Smith’s hero was Benny Goodman, and at the age of  thirteen Smith put together a jazz group; at fifteen he joined the Oakland Symphony. After high school he toured briefly with a dance band, then attended the Juilliard School of Music while playing at night in New York jazz clubs, but soon returned to California.  At Mills College in Oakland he met pianist Dave Brubeck.

Smith was an original member of the Brubeck Octet and later occasionally subbed for saxophonist Paul Desmond in the Dave Brubeck Quartet.  Smith performed on and contributed compositions to the group's first recordings in the late 1940s and early 1950s.  In the 1960s he again recorded with Brubeck – whose 1960 album with the Quartet, Brubeck à la Mode, featured ten of Smith's own compositions - recording an album a year until he moved to Seattle in 1966.

Smith studied composition at the University of California, (bachelor's and master's degrees), going on to teach there, at the San Francisco Conservatory, and at the University of Southern California.  In 1966, Smith began a career which spanned thirty years at the University of Washington School of Music in Seattle.

Smith won the Prix de Paris, studying for two years at the Paris Conservatory.  In 1957 he was awarded the prestigious Prix de Rome.  He has since received many other awards, including two Guggenheim grants.  His compositions and recordings, as a solo artist and with others, are numerous.
Over the years Smith has investigated and cataloged a wide range of extended techniques on the clarinet.  He was among the early composers interested in electronic music, and as a performer continues to experiment.  He remains active nationally, internationally, and on the local Seattle music scene, where in 2008 he composed, recorded, and premiered a "jazzopera" titled Space in the Heart. 

Anne Pell Jazz Trio:  A Bainbridge Island resident since 1994, Ms. Pell received her BFA in jazz piano from Cornish College of the Arts in 2005, graduating summa cum laude.   She previously studied piano, voice and music theory at the Longy School of Music in Cambridge, Massachusetts.

In 2010 Ms. Pell became the music director and conductor of Schola NovaSchola Nova is a group of about 20 women who sing Evensong at St. Barnabas Episcopal Church.  In 2012 Ms. Pell became the director of the Compline Choir, an a capella choir of about 15 men who also sing at Saint Barnabas.  In the summer of 2013 she founded Amabile, a larger mixed choir group dedicated to expressing love through choral music.

Ms. Pell has worked as a full-time private piano instructor on Bainbridge Island for almost 20 years, specializing in jazz, blues, and classical music, composition/arranging classes, theory, and jazz ensembles.  She performs in myriad gig settings including jazz clubs, private parties, local fundraisers, concerts, and private recitals, playing solo piano or with a jazz trio or quartet.  Ms. Pell has worked as a professional accompanist for over 30 years.  She was the accompanist for The Bainbridge Chorale for 14 years.

Ms. Pell has been composing, arranging and interpreting music for many years: her original works include choral compositions, liturgical chants and hymns, piano duets, Christmas songs, a flute and piano suite, and various jazz tunes.  Her new arrangement of Bach’s Cello Suite in G, for jazz quartet with viola, debuted in 2009.

In November 2009 Ms. Pell instituted the annual “For Our Children” benefit concerts.   All proceeds go to Bainbridge Island's Helpline House for their Children’s Enrichment Fund, a fund created by Ms. Pell specifically for arts and music education for children and teens in our community.

Event Location: 

The Island Gallery, 400 Winslow Way E, #120, Bainbridge Island, Washington.

Underground parking is available at The Winslow off Ericksen Avenue.















Thursday, September 8, 2016

Hot Off the Presses: First Friday Artwalk, September 2, 2016

Hello, Fall!  In spite of a distinct chill in the air, quick switches between dark, dark clouds, flashes of sun, and several noisy thunderclaps in the afternoon, another wonderful First Friday Artwalk was had by all.  Our exhibition, Dynamic Dozen:  Fall Art Fete, attracted art fans old and new, young and slightly less young, and we have photos to prove it!

A sip of wine, a chat with friends... a hat was a very good idea tonight!
Taking a good look at Renee Jameson's spectacular monotypes.


Artist Gerardo Aguayo discusses his work with fans, including Karen Heath...

... and poses beside one of his fascinating Shamans.
You can view more of Gerardo's wonderful work, including
Celtic White Shaman, the piece shown here and featured in
the current exhibition, by clicking on the photo or
right here to visit his artist pages.


A visitor from Bulgaria seems to be enjoying the wearable art!

We're with her; that's a silver crinkle silk Carol Lee Shanks
dress, sleek and sleeveless and sultry.  See Carol's always fabulous
work right here.  For the evening we've paired it with
one of NEO's terrific neoprene necklaces from Italy.
(And for all you NEO fans, alert:  our new shipment
is quickly disappearing.  We'll have more before the holidays
get much closer - with their great casual/elegant looks and
great price points, they make perfect gifts.)
See our current NEO collection by clicking here.

Then it is revealed that our Bulgarian visitor is a famous singer in her country!
She is here on the island visiting friends, and we so hope
she comes back to see us, bringing along her delightful personality
and obvious good taste (everyone loves the coat she is modeling for us -
from the Australian designer Alquema, this one is shown in bold
autumn color; subtle, feminine ruffle details without in the
slightest lapsing into froufrou; lightweight, therefore a perfect travel piece.
So Islanders and Gallery patrons, early warning:  Keep an eye open;
you will be seeing more of these available in the Gallery soon!)

 
A gorgeous arrangement of local foliage draws plenty of attention.
 

And here's some of the young crowd we were talking about.
Looks like she's really enjoying the band.
A Tiny Dancer, wearing some pretty adorable boots
and the latest in trendy black and white stripes, shows us
how best to enjoy gypsy jazz.

Ranger and the Re-Arrangers always give it all they've
got, rain or shine, true professionals who keep everyone's toes tapping.
Last Friday night was no exception, but the big news is the release of their
third CD, Swing 16.  To purchase, contact us via phone or email -
or swing on in!  We'll keep a supply on hand for their many fans.
Hopefully they'll be up in the online shop soon.

That's it for now, but we have something very, VERY special coming up for the next Artwalk, Friday, October 7th.  Information will be coming soon, right here, but in the meantime, please:  If you're a jazz fan, MARK YOUR CALENDAR!

Friday, September 2, 2016

New Arrivals: The Lou Zeldis Collection

A Renaissance man and artist extraordinaire, Lou Zeldis never let the grass grow beneath his feet.  Dividing his time and art between Indonesia and Santa Monica, California, he worked with batik and ikat textiles, furniture, and jewelry, to name just a few of his areas of expertise.  Here we will showcase his ever-fascinating jewelry.

This collection has just arrived in the Gallery; we know his many fans and collectors will be eager to see it!  Click on the links in the descriptions beneath the group photos and you can visit each individual piece in our online shop, for more information and/or to purchase.  Or simply contact the Gallery: We are always happy to help you via e-mail or over the phone.  Visit our web site for up-to-date contact information.

As we proceed, we'll include Lou's bio between the collection items.  As you will see, if you are new to Lou Zeldis creations, he was a most fascinating individual.

EARRINGS

 Above, Left to Right:

Lou Zeldis, a traveling theater artist, was born in America but his
passion for making unique jewelry and accessories lived and thrived in Bali.
Not classically trained, he gained a reputation of being an “artists’ artist”,
unconstrained by the idea of “it can’t be done.”   To those who
knew him his reputation was not only as an artist of exceptional talent
but also as a human of unusual kindness - with a maniacal need to invent,
which he attributed to his theatrical background and meetings with
remarkable men and women.  In the 1960s he performed on Broadway in
such well-known plays as Hello, Dolly!, Ben Franklin in Paris, and
How to Succeed in Business Without Really Trying.

 PENDANTS

Lou began making jewelry in 1965 when he started wearing personal charms.
Following much research of primitive and ancient jewelry and objects,
Lou began creating his own versions of abstractly meaningful charms.
He aimed for a quiet harmony and strength of form with a
vital quality from nature itself. Water buffalo horn, lapis from Afghanistan,
ancient quartz “coins” from Africa, beach pebbles, shells, sterling silver
and bronze are among the materials used in his pieces.

RINGS


Above, Left to Right, top row:


Above, Left to Right, bottom row:


Living in Indonesia, Lou worked for many years with
artisans to conserve jewelry and textile traditions (both batik and ikat).
The attar vine used in some of his jewelry pieces is also used in the weaving
of baskets and other containers, and the tradition is especially well
represented on the island of Lombok. He produced unique
examples of modern handicraft in various mediums using ancient techniques
and materials, working with living treasure artisans for several decades in
wide-ranging cultural groups around the Indonesian archipelago.
He is particularly known for his modern bold motifs both in his jewelry designs
and his batiks, where motifs range from images of rice paddies and
ivory beads, maps and numbers, to the dome of the Metropolitan
Museum of Art. In his collaboration on ikats we see the Tibetan Tiger
Rug and Northwest Coast American motifs.

BRACELETS

Above, Left to Right:


Easily recognizable to collectors as Lou originals as, frankly, all his
jewelry is, his pendants and bracelets in particular with their earthy,
rustic vibe are enjoyed by yoga and meditation enthusiasts worldwide.
 
Sadly, Lou passed away several years ago, but has left a fairly
substantial collection behind; thus, we hope to enjoy his artistry for the
near future.  As always, we send our best regards to his friends and family.

Lou Zeldis