We are poised once again on the eve of summer's Main Event, the Fourth of July. And if you're rushing around, preparing for the inevitable barbecues, parades and fireworks, perhaps we can offer something extra: How about a little Independence Day art-viewing on a long, leisurely holiday weekend? And if you have friends and family in town, we would invite you to bring them downtown for the festivities - and stay for the art!
On the other hand, if you can't tear yourself away from all that grilling and those sparkling fireworks, no problem there either: stay right here and scroll through our beautiful offerings at your leisure, then simply click on the photos for a magical visit to our Online Shop.
And on the third hand (we don't know about you but we would really love to have a third hand during these busy times...) we have a new feature, with a delicious suggestion for those wonderful meals you're planning.
Enjoy!
STUDIO FURNITURE
Here's a lovely summer sight:
A flower-strewn patio, a beautiful
day, and a bench to sit on to enjoy
it all.
This lovely indoor/outdoor bench is
crafted here in the Northwest
from a board of rich, glowing
maple. The artist has cleverly inlaid
strips of contrasting walnut,
added clean-look walnut legs, and finished it
with water-resistant teak oil, which is often used on boats'
brightwork and decks to protect them
from the elements.
This beautiful bench measures out at
approximately 44" long x 11" wide x 21.5 tall.
Here's a little closer look at the
grain, and the artist's wonderful
attention to detail on the inlays.
Also visible in this shot is the
design of the legs, which extend slightly
beyond the perimeter of the
seat, and add to the clean look we were talking
about.
A gentle breeze, a splash of
sunlight, book, a latte or lemonade...
Aaaaaaahhhhhhh...........
We were saying something
above about clean lines, and must conclude
that this is the
furniture phrase of the day! This piece from local
wood artisan Carl Yurdin quite perfectly
fits into the same category.
An oh-so-useful Hall
Console Table in walnut, showing off gorgeous, deep
color and stunning
grain, this is a deceptively simple piece that
is perfect for
displaying art pieces, such as a small sculpture or a
painting on a display
stand - even a draped textile, ornate box, or a
perfect piece of pottery
(which is exactly what we did here,
with an excellent
dark-glazed vase and bright orange roses,
appearing a bit later in
the blog).
Here are a few longer looks at this
excellent table:
Noteworthy, of course, is the glorious swirling
walnut grain.
More of his work can be found by clicking here.
A few words of interest about Carl:
The Island Gallery welcomes Carl Yurdin, a new
artist from the industrial
design world of the East Coast, who settled first on
Orcas Island and now
here on Bainbridge.
In Carl’s own words:
As an industrial designer for over
fifty years, I have spent my whole career designing
products that expand the visual
possibilities. Over those years, I have
remained
committed to high design
standards, balancing functionality, user requirements,
regulatory needs and overall
aesthetics – for both highly consumer focused products,
as well as more industrial
products, like medical and construction equipment.
In my view, everything deserves
the opportunity to be well designed to enhance
the overall user experience. That perspective informs how I work today,
having moved to the Northwest and Bainbridge Island.
My process is about investing in
the beauty of the wood and revealing what
possibilities exist. I don’t always know what will come out of a
project when
I start, but I respect the
materials I am working with – letting them provide direction,
along with the tools I use. Together, we figure it out. I strive to create pieces
that convey the possibility of
nature, but bring a practical usability to bear.
Nothing is too fragile and
everything has a purpose, be it highlighting an aspect
of the natural wood or
incorporating it into a function of use.
That’s where the
keen balance of the industrial
designer in me shines.
Speaking of glorious swirling walnut grain,
it would be difficult to
find any more interesting than this...
Named "Mysteria" by the
artist, we wonder if he is referring to the
apparently random,
yet definitely connected grain visible in this bookmatched
slab.
The lines are a bit of a mystery!
We can see them relating to one
another, yet there is
something free-form that catches the
eye and lets it journey
across the length and
breadth of the board in abstract fashion.
Fully finished with a tough
conversion varnish, this slab begs to become a
spectacular table to be the focus of a dining room or board room, or even
as a desk for your beautiful office.
Imagine that!
We can work with you and one of our superb local wood artisans to design the
perfect legs and table top size size for your needs, and before you
know it a
magnificent piece of wood will be a
beloved fixture in your home.
If the rich, chocolatey depth of
walnut isn't for you, though, never fear!
We also carry other beautiful slabs
in various woods, like maple
and ever-popular cherry. If we
don't have what you need,
we will find it - in the right size
and color to fit your decor to a T.
More slabs and dining tables can be
viewed here.
SCULPTURE
How delightful is this very special
birdhouse?
Perched on a dainty (yet sturdy) bough of purple
heart,
any bird with discerning
tastes would be positively chirpy to call
this happy abode
home! A visual feast of style, angles and
colorful exotic woods,
artist Chris is inspired by California
Modernist architecture -
and dare we say, there's more than
a hint here of Frank
Lloyd Wright, adding to the delight of our
feathered friends -
combined with his own whimsical sensibilities.
His blending of woods is also noteworty: the base is hard maple burl;
the support beams are
purple heart; the house, African paduk;
and the roof, Australian
lacewood. The entire piece is
finished with teak oil
to keep it safe in the elements.
And if this design isn't
what your local birdies have in mind for
their dream house, perhaps they might prefer this one:
It almost looks like it arrived directly from Planet Tatooine, doesn't it?
(And will doubtless appeal to your favorite avian Star Wars aficianado!)
This one is crafted from black cherry, black walnut, bird's eye maple,
and oak, and is also finished with durable teak oil.
Both are extraordinary designs, beautifully made, fun, and altogether
perfect for gifts or as a treat for yourself - and of course,
for those wonderful non-internet twittering friends of ours.
More of Chris Thompson's pleasing designs for the home can be found
in the
Baskets, Bowls & Boxes section of the Online Shop,
or click
right here to visit Chris's page in a flash.
TEXTILES
We were speaking above, obliquely, about boats and brightwork
and decks and such, which could most certainly fall into the
category of Summer Delights. We live on an island in Puget Sound,
Washington State, and boating is never far from anyone's mind -
we travel by boat and ferry to the mainland, we live and party on
boats, we love our kayaks, and can't resist the sparkling diamonds
of sunlight dancing on the water that surrounds us.
So things that are boat-oriented always ring bells and raise eyebrows
around these parts.
Like this fabulous pillow, for example.
Featured in the Gallery's current exhibition, Dialogues in Fiber, the
"Come Sail Away" pillow and its companions are made of handcrafted multi-layered
textiles and each makes its own statement.
Here's a look at three others:
 |
| Pillows, left to right: "Make No Wake", "Better Together", "F* Cancer" |
Whether used as an eye-catching
accessory on that wonderful
boat, or for landlubbers simply
gracing a couch or bed in your
very terra-firma-attached home,
these have attitude, convey
universal messages, and are stunning
works of art.
Here's a little about Tom, in his
own words:
This body of my work - which is
created by taking multiple layers of fabric,
manipulating, sewing, cutting, and
washing them to make the fibers “bloom” -
had a serendipitous
beginning. I had fabric remnants from a variety
of architectural and interior design
projects. I started experimenting with
layering, sewing them in lines at
close intervals, cutting and washing,
in an effort to create a soft,
tactile, dog-friendly throw for our sofa.
The results got my creative juices
flowing. I quickly saw lots of
possibilities, determined which
fabrics worked best and how this
newly created “Ridge and Furrow
Chenille” could be used. Benches
and ottomans soon followed.
“Ridge and Furrow” designs for the
wall, as well as a “quilt,”
developed simultaneously.
After seeing quilts at the Modern
Quilt Show in Austin that had graphic
messages, and wanting to commemorate
the death of a couple of close
friends, I started creating pillows
with a message. The pillows led me
to explore color applied in strips
to the top layer. My most recent
piece, “Passage,” utilizes this technique as well as
washed
and unwashed layers.
The process continues to excite me
and take me in new directions. I am
influenced by the tradition of quilt
making as well as by modern and
minimalist quilts (and on some level
by the randomness of Jackson Pollock).
I’m inspired by the surprises that
come from the layers beneath the surface,
the interplay of color, interpreting
what I see around me in this
medium of fabric and threads,
expressing a message that grabs me,
and the endless possibilities.
These pillows can be viewed on Tom's pages in the Online Shop, along with
more of his quite diverse art pieces - wall art, ottomans, framed
pieces - right
here.
WEARABLE ART - JEWELRY
We surely have said all there is to say when it comes to
Begona Rentero's truly, TRULY spectacular jewelry; and
yet here we go again!
Ladies: Is there one single thing in the world of clothing/accessories
that says "SUMMER" more immediately than a fabulous pair of earrings?
We think not.
And is there a more fabulous pair of lightweight, flora, fauna, and specialty
earrings, in special editions, presented in handmade boxes, each made especially
for each style, whose designer has been honored in a New York museum as one
of the 50 greatest up-and-coming jewelry designers anywhere on the planet,
than a little something from the studio of Spanish artist Begona Rentero?
Most unlikely.
And is there another design than the glorious blossoms in white Tahiti
shown above that we'd rather be wearing in our deckchair,
or in the prow of that boat, gliding over the sun-diamonds,
or running around town, or for the fanciest of fancy late-evening parties;
or at the theatre, or the opera, at the Fourth of July parade, or on a really hot date?
Hmmm??
Well... maybe this...
What
is a lady to do?
Buy both? Why not?
Oh, but then there are so many more to choose from...
Okay, we admit it, we may have a slight problem, because we
really do want them ALL.
Like these.
(Oh, yes, and you can click
right here to see more earrings.)
And don't get us started on her
necklaces.
Or
bracelets.
Or
brooches.
Somebody please stop us...
Here's a little about Begona:
Spanish designer Begoña Rentero,
originally from Granada, grew up
in a family that had a profound
respect for nature and the environment.
These early influences developed
into a passion for organic forms,
color and movement inspired by
nature. Begoña later translated this
passion into a jewelry collection
featuring a series of unique pieces.
The colors and organic shapes of
winter flowers, flora and sea
fauna have inspired her latest
collection of hand-made, exquisitely
crafted jewelry. The pieces are made
of special paper, fibers of silk,
cotton, et cetera, that she prepares
with a method she has developed
to toughen them up for daily use,
without compromising their delicate,
organic aesthetic. Using only
natural dyes her pieces both reflect and
respect the environment and, as she
says, "are so light you have
to touch them to know that you're
wearing them."
These beautiful jewelry items are
made entirely by hand, in Spain.
And then of course, there's this!
These looooong strands of vivid, gemmy neoprene, embellished
with silver bullons, are addictive! Here's how long they are:
And how oh so versatile! Buy your favorite colors, then loop, coil
or twist them, doubled, maybe tripled, or leave some
long, and have fun with them.
We have semi-joked in the past that you can easily wear Neo's
neoprene creations scuba diving, if you so chose, as
they are made from the self-same material of scuba suits, but
it's actually true. The metal highlights are little hex-nut-looking
silver bullons so would be uninclined to rust. Therefore - and
we seem to be talking about boating quite a bit today - if you simply must
take a dip off the family yacht or dinghy or other wondrous watercraft, you're all set!
Actually, now that we think about it, these would be great for the beach,
with a cute bathing suit and silky cover-up... how about that!
And as they hail from Italy, I think the ladies of NEO
may have intended this use all along... So please, put on that bathing suit
and fearlessly drape yourself in these fabulous waterproof strands for an
unbeatable summer look.
WEARABLE ART - CLOTHING
Crisp, cool, relaxed, stylish.
This piece says summer for Kay Chapman.
Button to wear as a shirt or leave open as a jacket to get
so much use out of this single versatile piece of clothing.
Kay's designs tend to reflect nature and modern ethnic-themed
inspirations, as seen in the African tribal Masai appelation
and also in many of her other styles.
A look at the divine back and collar detail:
This lovely piece (which would look great on that boat...)
is 100% cotton in sky blue and white.
And not to overstate this, but let's take a look at
her spectacular color choices:
This beauty is created from dupioni silk in her style "Retro",
modified leaf/bamboo, perhaps, with a distinct abstract/urban sensibility,
in gorgeous wine and black. It is a purplish color with an
orange or salmon undertone that is quite breathtaking.
A little about Kay:
Kay Chapman is an
American fabric artist/clothing designer who shows
her work in galleries and boutiques
nationwide. She works primarily
on natural fabrics: silk, linen,
cotton and wool, as well as bamboo. Pattern
and color are applied to the fabric
using direct dye techniques, usually
stretched over bars and painted with
either fiber reactive or acid dyes
using foam brushes. Dyes are then
set by steaming. The fabric is washed
and rinsed and ready to be made into
the garment.
Kay's goal is to create styles which flatter a
woman’s body and are easy to wear.
So if night is approaching and the boat is getting a little cool
(and you can easily substitute "barbecue", "pool party", "wedding",
"theatre", or "romantic outdoor dinner" for "boat")
just toss this beautiful ponchette over your shoulders and get cozy.
This fine knitted "Ponchette" is created from softest wool and is
available in a variety of subtle colors and two different lengths, with perky tassels.
They are one size and certified no nonsense - no flapping off in a
stiff breeze, no fiddling and unsuccessfully knotting it when dancing,
no chilly shoulders. Just cozy convenience, and the
extraordinary softness that is so delightful when wool and
silk are combined in a fine knit.
See more color choices
here.
We must also point out that our mannequin display includes another
superlative NEO piece, this one a multi-strand necklace
in many colors, again made of neoprene, ultra-lightweight,
and it looks super with the ponchettes.
(Or the bathing suit... remember the bathing suit...)
Here's a slightly closer look at it:
CERAMICS
Bainbridge Island ceramic artist Joe O'Brien has brought us
a series of tea bowls that he has wood-fired right here on
our beautiful island. A retired art teacher, he loves
experimenting with glazes in wood fire, and is getting
some great effects with them; he is said to be one of few wood fire potters
to be successful with the glorious turquoise hues that can come from
the copper component of the glazes.
Here are a few other examples of his tea bowls:
Journey along this link to see more of Joe's very interesting work.
Here's a little something about the artist:
Ceramic artist Joe O’Brien of
Bainbridge Island was educated at the
University of Washington (BA, Art
Education) and in ceramics at Northern
Illinois University (MA, MFA).
He has exhibited throughout the
Midwest as well as the Northwest and
operated a custom ceramic
tile business for many years.
He collaborated with Jacob Lawrence in
the designing and creation of a
ceramic mosaic mural for the City of
New York and designed a porcelain
enamel mural for the Orlando
International Airport. More
recently he has proposed a ceramic mosaic
mural for the Washington State
Capitol.
This appealing earthenware vase is graceful, with its
unabashedly abstract inclinations, bold in coloration, and
looks terrific hosting a big, bright bouquet of flowers!
Just imagine how this piece could be used
(you've seen it before above, but it's so pretty, let's indulge ourselves):
Here's a bit about Lisa, who has
been with us as a painter for
several years, and who is now adding
ceramics to her
growing list of talents:
Born in Germany, I grew up in
Colorado Springs, Colorado. As a child
I roamed the then wide-open
foothills and canyons of the front range
of the Rocky Mountains. This
connection with nature has always
sustained and inspired me.
I studied painting and industrial
design at Colorado College, City
College of San Francisco, and Pratt
Institute.
Living in San Francisco for five
years, and New York City for ten,
infused me with the wonder, freedom,
and crazy richness of urban life.
I returned to the West, moving to
Santa Fe, my home since 1991.
I have been a painting contractor
and decorative painter for many years.
I have always been an artist. The
scale of many of my paintings is
informed by a love of physical work,
the imagery by
a love for the physical world.
VISUAL ART
Another series from Bainbridge
Island's own Irene Yesley,
an artist who pleases with her
seemingly endless artistic experiments,
as she continues to push the
boundaries of her art form.
These two amazing examples, which
certainly bring to
mind vast solar systems and
galaxies, are both Monotypes on two layers
of plexiglas, showcasing Irene's
remarkable layering techniques.
We must point out that because of
this stunning layering,
it is very difficult to fully capture in photographs the full impact of pieces created
in this style, to show their true depth that is only perfectly visible when viewed in real life.
If you're already a fan of Irene's
work, or perhaps more importantly,
if you've never seen her work
before, please visit the Gallery
for an up-close, in-person
look. They must be seen to be fully appreciated.
Here's Irene's information:
Irene Yesley of Bainbridge Island, Washington,describes herself as a
geometric abstract minimalist, designing hard-edge patterns
against a relatively flat background. Physical textures,
such as brush strokes,
play a minimal role to the interplay of positive
and negative shapes,
and the emotional impact of color.
Irene describes her journey:
I earned an MFA
in printmaking from Arizona State University.
After
graduation, I bought two floor looms and started making rugs
and tapestries.
Eventually I grew frustrated with the restraints of weaving,
the warp and
the weft, and especially the fact that I could never change
anything, so I
sold my looms and started down the path of rediscovering
what kind of
artist I wanted to be. I attended Haystack School of Art
and
Crafts in Maine, where I was fortunate enough to have Warren
Seelig as my
instructor. He opened the door to all sorts of
materials and experimentation.
Since then I
have used pencil, pastel and oil stick on paper, done
reverse
painting on Plexiglas, acrylics on wooden panels and gesso
board and now I
have returned to painting on layers of Plexiglas
and stacking
them to make 3 dimensional paintings.
The outdoors is
the biggest influence on my work. The first landscape
I knew was
Spokane, Washington, where I grew up. That was followed
by the cactus
of Arizona for 5 years, the urbanscapes of Boston and
Washington, DC,
the chaparral of Topanga Canyon, and 22 years
in the desert
of Santa Fe, New Mexico. For six years until 2004, we
had a condo in
Kas, Turkey, on the Turquoise Coast of the
Mediterranean,
where I spent six months a year
Now I live on
an island across the sound from Seattle in a temperate
rainforest.
Without even being aware of what was happening,
each new
location has changed the shapes and colors in my work.
A piece of Irene's will be featured in the upcoming 2016 August
All Gallery
Artist show, and in another show in 2017 (date to be announced).
Making her home on Bainbridge Island as well, Karen Chaussabel describes herself
as "a mixed media artist in the making." We are happy to be able to say
that she is also currently an Associate at the Gallery, and one of
our intrepid photographers, without whom this blog would
most likely be made up entirely of very boring words!
Karen originally hails from France, and infuses her work with the
nature and countryside of her youth, allowing her life
experiences to impact her work - as all artists do - but conversely also
allowing her art to impact all areas of her life
(which all artists don't!).
This special sensitivity not only produces very meaningful art, but
inevitably creates surprises along the way.
(Keep reading; we'll introduce our
own Karen-oriented
SURPRISE in a moment.)
The work shown here, currently
available at the Gallery,
is primarily encaustic, pen and
pencil with mixed media.
First, though, we'll let Karen
discuss encaustic in her own words:
Encaustic paint is made of
beeswax combined with resin and color,
in either paint or pigment forms. It
is used heated and applied to a
variety of surfaces. My favorite
surface for encaustic is paper. I make
monotypes and also brush [or] draw
directly on the paper.
When making encaustic monotypes, I
brush warm encaustic on a hot
plate, or melt encaustic directly on
the hot plate, then I lay a piece
of paper over the encaustic and pull
it up. I like the next step,
the reveal, where I look at what
happened on the paper. Colors blended,
spread, an image was created from
this fluid interaction. The exciting
part for me is discovering this
newborn image and looking at it,
being with the fullness of
possibility. I can let it be enough, or
I can keep on exploring with it,
adding lines with pencils when it is still
warm, layering another color,
blending them further by rubbing. It is a
medium that allows me to practice
being open to possibility.
Karen continues, with thoughts about her work:
I work on paper, creating encaustic monotype,
using inks, pencil, fiber
for mixed media, and also enjoy the
feel of clay. I am an explorer by
nature and will try different
techniques and materials, just to see.
I am very much driven by
curiosity. And in the process I find
more than one way to express my
creative voice. Just like a tree
going through the seasons or
standing in the light at different times
of the day, my voice takes on the
tone of its place in time and space.
Karen presents a series of fruit-
and vegetable-like
forms, suggestions of the harvest,
the heart's attachment to it,
light, and summer.
Oh, and speaking of fruit and
vegetables...
Introducing A New Feature:
An Artist's Approach
Food As Art
(or, Art As Food, as you will...)
There's just no getting around it, sometimes life imitates art.
And when one is an artist, glorious overlapping and
wonderful surprises inevitably occur! As we feature this month the work of an artist
who has an abiding love for nature and its bounty - and who also happens
to be a great cook - her inspiration is sure to whet your appetite for more!
Encaustic and multi-media
artist Karen Chaussabel takes us
to the French countryside, sharing with us her love of cooking
in the tradition of her homeland. This first offering is a beautiful
suggestion for a
summer evening's dessert, filled with freshness, taste,
and heart.
 |
| Karen Chaussabel |
For me the kitchen is just another
studio! I let the ingredients
guide my choice of what to prepare. Growing up in the countryside
in France gave me ample
opportunities to taste what grew in my family's gardens,
in the fields (blackberries) and forests (mushrooms, blueberries,
chestnuts)
and farmers markets, and a sense of gathering around food
from our
often lengthy family dinners. As a teen I worked
at a Farm to Table restaurant, which added layers of kitchen tips, flavors -
all of which would come
into focus once I left France for the US,
and was handy know-how for working in catering through college.
All those flavors, those
experiences, they all came with me!
Since moving to Bainbridge Island I have
been able to reconnect to
my country roots, to the joy and enthusiasm of
preparing, and
eating, what is in season, and locally sourced.
The question of what's for dinner is
one I approach like I paint,
I don't know until I start!!!
I look at what
I have, what I found at the garden, from my CSA with
Leapfrog Farm or
other finds from the store or farmers market - and I
go on from there!
I
think being a visual artist does influence how I cook.
I choose vegetable combinations with an eye for color. I do believe
we eat with our eyes first!
Next layering flavors with herbs, spices,
texture is a way for me to create
dimension in the meals I make.
A pan, a plate, are my other canvases.
I feel clafoutis, shown below, is
the ultimate versatile canvas: growing up with a
small cherry orchard in our front
yard, there were many traditional
classic cherry clafoutis but I also
like apricot/raspberry when the
eastern Washington apricots comes
into season (now!). For Thanksgiving/Holidays
I make a cranberry clafoutis
flavored with orange. The possibilities are endless!!
I so appreciate that art has and
still is teaching me that, no matter what my canvas is!
Traditionally there is kirsch or
some kind of liqueur (Grand Marnier
added with oranges/cranberries is yum!)
Sometimes I add almond meal for
flavor, texture; soy instead of regular
milk. Basically it’s dairy-free and
gluten friendly if you want/need it to be.
And low sugar. Apricot/red or black
currants is a great combo
for the sweet/tartness too.
And you can dress up with whipped cream!
Apricot-Raspberry Clafoutis
using Basic Clafoutis recipe based on Suzanne Goin
Sunday Supper
at Lucques
3/4 cup all purpose flour, sifted
1/2 cup sugar
3 large eggs
1-1/2 cup whole milk or non-dairy milk
pinch of salt
1 tsp vanilla extract
3-4 apricots, depending on
size, cut into quarters
1 cup of raspberries or more if you want!!
(black or red currants work too!)
Optional: a sprinkle of slivered
almonds, pecans, almond flavor (1/2 tsp) on top; a splash of blackcurrant or
raspberry currant liqueur or rum to flavor the batter
Heat up to a gentle simmer the milk, sugar, and any spices you are using
until sugar is dissolved.
Add vanilla, or almond
extract. Take pot off the stove.
Beat the eggs and add to the
milk mixture. Mix until blended.
Sift in the flour.
Let the
batter rest for 20 minutes, up to one hour.
While batter cools:
Heat the oven to 350F.
Butter a 9-inch cake pan, add apricot slices in single layer, sprinkle on the
berries.
Pour the batter over the fruit.
Bake for 40-45 minutes.
NOTE: If you are short on
time, you can also make this batter cold:
mix cold milk, eggs, sugar,
flavorings, et cetera, then flour; pour batter on the fruit and bake.
Notes for other fruit and flavor combinations:
Flavorings options: almond
extract, lemon or orange zest, liqueur,
spices, frozen berries, rhubarb (fruit can be used frozen).
Substitute 1/2 cup of almond meal for flour.
Sprinkle nuts on top of the batter for added texture and taste
Dried fruits: cranberries (great with walnut or pecans), blueberries,
apricots,
figs, alone or in combination with fresh fruits.
Clafoutis is best enjoyed warm, at room temperature.
Also very good next
day as flavors infuse.
Well, that's the blog for now! Please have a safe and fun 4th of July, and check back soon for more beautiful things to see in the world of art, and another recipe! Don't forget: if you'd like to have us send you advance notice of a newly-posted blog, simply send your e-mail address to ssn [at] theislandgallery [dot] [net] and we'll put you on our mailing list.*
*We present our e-mail address this way to discourage spammers, phishers, and other internet nasties. Thank you for understanding!
Posted by: S. Roth, 7/3/16
