Showing posts with label dining table. Show all posts
Showing posts with label dining table. Show all posts

Saturday, October 11, 2014

September 2014 Gallery Picks Newsletter

From the Department of Things That Are Better Late Than Never, we bring you our monthly Gallery Picks Newsletter.  The semi-bad news is that we are very late posting; the very-good news is that October's edition will follow shortly, so this month will be brimful of beautiful art!

Please enjoy a look at these wonderful new items from our fabulous artists, and don't forget, for more information click on the individual links to visit them in our online shop.

Let's start with some amazing furniture.


FINE WOOD FURNITURE

Walnut Table, "The Impala"
 Quite simply, this is one of the most beautiful tables we have ever seen.
Constructed of claro walnut from Chico, California, from live-edge
slabs that were gently aged over many years here in the Gallery, this is a
product of careful consideration and collaboration by a number
of our wonderful local artists. The table top is made from the burl ends of the
slabs; the legs are black patinaed steel designed and crafted right here
on Bainbridge Island.

Ready to grace your dining room, office or boardroom, and just... Magnificent.

But why, you ask, have we named it The Impala?



 (Can you see it?)

For a closer look, drop into the Gallery.
(It would love to meet you in person!)



Writing Table.  Ted Scherrer
 Lush cherry and ash woods animate this lovely desk.
Perfect for your office (or a very lucky student) it has two drawers and
a sweet retro surprise:  a secret compartment!
How often do we see an added feature like that these days?

Northwest wood artist Ted Scherrer has shown his work with
us for many years, in the form of chairs, settles and tables created with
the traditionally spare yet exquisite quality of Craftsman furniture.  His
hand-crafted designs, with their easy functionality and superior workmanship,
never go out of style.

View one of Ted's gorgeous settles here.

Here's something about the classic Craftsman style that inspires Ted's work:

The Arts and Crafts movement initially developed in England during
the latter half of the 19th century, inspired by social reform concerns together
with the ideals of reformer and designer, William Morris.

This movement was a response to the rise in often shoddy
factory-made goods and furniture seen at the time.  It also challenged
the often extravagant tastes of the Victorian era, and sought to bring
back work for individual craftsmen, put out to pasture rather
precipitously in society's rush to embrace mass-manufacturing.

In the United States, Gustav Stickley also promoted these ideals out
of New York City, and found that by using factory methods to produce
basic components, then utilizing craftsmen to finish and assemble,
he was able to produce sturdy, serviceable and attractive
furniture which was sold in great quantities, and still survives.

The term Mission style is also used to describe Arts and Crafts Furniture
and design in the United States, particularly in the Southwest, and brought
into play the added influence of Native American and Spanish-Mexican artwork.

Mid-Century Modern Chair.  Arne Hovmand Olsen
Our latest mid-century modern  furniture find, this graceful chair
is quite special, with its Danish Modern lightness of style and clean look.
It is created from subtle teak wood with a cane-wrapped back and leather seat.
Notably, it is signed by the artist.

Here's a little about Arne:

Arne Hovmand Olsen (1919-1989) was born and raised in Kirkeby Sogn
in the middle of Denmark. He was the eldest of five children, and though from a
farming family he realized at an early age that he wanted a different career.
He had always liked to draw, and was apprenticed to a cabinetmaker,
P. Olsen Sibast, in 1938. After his apprenticeship, Arne dreamed of being
able to design the furniture which he produced, and therefore enrolled in a
technical school specializing in furniture design at Aarhus, in 1941.
Once qualified, Arne started his own studio creating beautiful furniture,
influenced by Scandinavian design and executed in a simple and light style.
His furniture was sold in Denmark , but was mainly exported to the large
overseas market, with the U. S. market being an avid consumer.
His studio closed in the 1970s.



SCULPTURE
(Ceramic) 

Brink.  Maria Simon
This month we welcome extraordinary sculptor Maria Simon to the gallery
Her sensuous ceramic pieces are a rich feast of form and color,
built to reside on a special wall, some as table pieces, all with great depth,
suggestions of rolling hills or earthy strata, and hints of whimsy.

Here's a little about Maria and her process:

Born and raised in Chicago, Maria Simon began pursuing art as a young child.
With the support of her parents, she attended children’s classes at the
Chicago Art Institute. She attended Washington University’s Steinberg School
of Fine Arts in St. Louis, studying sculpture and printmaking. She also
studied classical sculpture at L’Accademia d’elle Arte in Florence, Italy.
After a fifteen year exploration of colored clays, producing decorative
vessels and tiles, which she considered a marriage of sculpture and printmaking,
Maria returned to her love of sculpture, using clay, her favorite medium.

Maria's work has been selected for numerous private and corporate art
collections and has exhibited her work both nationally and internationally.
She has been the recipient of several grants and awards.
Now living in Portland, Oregon, Maria devotes a significant part of her
time to teaching and workshop activities. She has also been providing
Artist-in-Residency programs to the metro area schools in sculpture, ceramics,
and mural making through the Regional Arts and Culture Council and Young
Audiences of Oregon and SW Washington, and as an independent contractor
since 1991. In addition, she has presented workshops on her process
throughout the country since 1981.

As to Maria's process, all pieces are built with terracotta or porcelain clay.
Most begin with thick-rolled slabs, cut and fit together, puzzle-like.
The clay is left to reach leather-hard stage, then some areas are built up with coils;
at this point the largely subtractive work of carving begins. 
Over a period of four to five weeks, refinement of the sculpture takes place.
Once the fine details are completed, it undergoes a slow bisque-firing,
after which painting with terra sigillata commences and can continue
over a ten-day period.  The piece is burnished, then fired a second time.

Ember.  Maria Simon
 (As a point of interest, terra sigillata in contemporary pottery refers to a clay "slip", 
or liquefied suspension of fine-milled clay particles in water, usually the 
consistency of heavy cream.  Pigments can be added to produce a colored slip.
 Archeologically speaking, the term terra sigillata literally means "sealed earth";
not as in earth made impervious by sealing but, rather, pottery decorated with "seals"
or sigilla, a Latin word referring to small statues or figures in relief.  The term is also applied,
however, to plain-surfaced Roman pots of a certain type or era.)


VISUAL ARTS


Rest Assured.  Esperanza Grundy
Seattle artist Esperanza Grundy has recently brought us several new works.
This one, Rest Assured, is acrylic collage on canvas, notable for its lively
earth colors that are juxtaposed with darker tones amid rambling,
somehow familiar, textures.
(Perhaps desert Southwest, wisps of written communications, hint of mountains...)
This piece and several from her Faces series are currently in the Gallery;
two others can be viewed at our Realogics Sotheby's International Annex,
right here on Bainbridge Island at 271 Madison Avenue S. 
 
A member of the Women Painters of Washington, Esperanza has won numerous awards
for her works in collage and watercolor.  With a BFA in Industrial Design from the
University of Washington, she has lived both in the Southwest and Northwest. 
 As the artist notes, color is the main ingredient in her work, in abstract compositions
which explore the lives of  literary artists (Bedside Table Series), the American Flag,
or the place of women across cultures. 
 
Esperanza comments on her work: 
 
Color is the main ingredient in my work. 
 
The urge to create is irresistible to me. The symbols, images, textures and colors
in my paintings and collages are my pathway to spirit and truth.
My fundamental source of inspiration is my personal heritage: my family is
hispanic and native american and has lived in the Southwestern US for
many generations. Cultural explorations continue from there by
listening to other people's stories, traveling to exotic places,
reading and dreaming. 
 
I love to gather, arrange and layer materials. Everything is a potential
element: paper and fabric scraps, my own handmade papers, paint,
stencils, transfers and photographs. Using cast off "compost" to give
new life to art is richly symbolic to me. Creating physical depth through
layering allows me to more deeply express ideas and feelings. I hope
the layers act as levels to invite emotions, thoughts, memories
and meaning for viewers of my art.
 
 
WEARABLE ART

Necklace Bergamo, Black.  Begona Rentero
 If you've seen our Blog before you already know what we
think of Begona Rentero's work.

And yet this necklace...

WOW!

Just...

WOW!

And here are the earrings, in red:


Earrings Bergamo, Red.  Begona Rentero
 These are huge, long, dangly, lightweight, and available in other colors.
Our first pair was snapped up immediately after we put them
on display, but stay tuned. We'll have more available shortly.

Can you even imagine wearing these to a holiday party?

!!!!!!

Enough said.

"Intermezzo" Silk Swing Jacket.  Roselle Abramowitz
This is yet another gorgeous piece by remarkable artist
Roselle Abramowitz.  Double-layered hand-painted silk
in shades of blue, green and purple make a luscious
statement in a cropped swing jacket that can be
hung on the wall as an art piece or worn to that
extra-special occasion.  The length and drop-shoulder
tapered-sleeve styling makes this a universally becoming garment.

As we have reported elsewhere in this Blog,
Roselle passed away recently in her home of Stowe, Vermont.
To read more about her fascinating life, skip back several posts
or search Roselle Abramowitz to read our homage
to this talented artist.


So much for September, now all nicely wrapped up.  Please come back soon for a bright October harvest version of the newsletter, already in the works!  If you'd like to have our e-card reminder delivered to your mailbox, plus early warning of events, exhibits and sales, please contact sr@theislandgallery.net, leave your e-mail address, and we'll sign you up.

Thanks for visiting, and see you next time!

Sunday, June 29, 2014

June 2014 Gallery Picks Newsletter

Here in the Pacific Northwest, spring is always soft and lovely, with June being perhaps a bit on the "tentative" side.  Everyone's ready for outdoor adventures, and as June dips into summer, we always wonder if July will be Puget Sound perfect, with sparkling skies and water?  And specifically here on Bainbridge Island, will the Grand Old Fourth parade and festivities bake or drip?

One never knows... but we have learned to have boundless hope!

It is quite clear, however, that our artists are feeling summer's inspiration whatever the weather, as new items in furniture, wearable art, jewelry, ceramics, paintings and prints are popping up in the Gallery.  And this, as always, is a most hopeful portent for things to come!

Please enjoy a look at some of these amazing pieces of art, and be sure to click on the link of each individual piece to visit our online shop for further information.



Hanging Bell.  Daniel Herreshoff
We have, over the years, had the pleasure to see many, many
wonderful pieces of art, in different mediums and
disciplines.  Metal artist Daniel Herreshoff's hanging bells
and singing bowls, however, rank among the most
memorable and sought after in any category.  This is the very last
piece of his, and it is truly one of his best, with an enchanting
deep resonance and beautiful markings.

Daniel describes his process (written in 2006):


I turned wooden bowls for many years, until I became interested in
creating steel Hanging Bells out of old, used oxygen tanks. 
During the 1940s, 50s and 60s, when these particular oxygen tanks
were in use, they received many layers of different paint colors indicating
specific gases in the tanks and to cover up chipped paint.  These many
layers of colors were the taking-off point for me to create these unique, and
one-of-a-kind American garden bells and meditation bowls.

The reason I search out these old “spun-steel” oxygen tanks, which
were "high tech" at the time, is that they are thin-walled, thereby
 producing the purest tones. Unfortunately, manufacturers stopped making
these tanks in the mid-60s and someday will no longer be available due to
attrition.  It is my intention to recycle these heavily-used oxygen tanks and
save them from becoming scrap metal.  The bells now serve a new function
as beautiful garden bells with resonating meditative and healing sounds

The many different layers of paint colors on these bells provide an
interesting texture and visual contrast.  I preserve the original colors as
much as possible and overlay them with vibrant colors of my choice,
reminding one of intricately woven tapestries.   The garden bells are polished
to a gloss giving them depth and brilliance.

The clappers of the garden bells are created on a lathe either out of gorgeous
orange red Padauk wood from Africa, Ipe wood from Brazil, a Rose
wood from Bolivia or out of Cocobolo wood, which grows from Mexico to Panama. 
 
The attrition rate Daniel speaks of is already with us and he has been
unable to make more of these bells.  He has since moved on to new
artistic adventures, and is now living with his family in South America.


Walnut Table Top, "The Impala"

Carefully book-matched, extraordinary claro walnut slabs
from Chico, California, make into a wondrous table top.
This big, bold piece would make an amazing addition to
a dining or board room.

And if you turn your computer screen upside down, or
are athletic enough to do a headstand,you
will see an interesting creature staring back at you!
(Although it's much easier to simply come down to the
Gallery and visit it in person!)

Short Silk Shibori Vest.  Carter Smith
Oh, my!  Be still my heart!
If you follow our shop and blog, you probably know that
we are always raving about shibori artist Carter Smith (see more here,
but we're warning you:  View at your own heart's risk...)
Well, we are happy to report that July will be no different!
We're going to be a little Carter-centric this month, as he will be our
featured artist in an exhibit of fantastic banners and new clothing designs.
(See our next blog post for more details.)

Sterling Silver Link Bracelet.  Bara


The wondrous, earthy, yet refined jewelry sculpture of Bara deMarino
is featured this month to show off a new selection of work we have
just received from her.  View more of her wonderful pieces

Bara, formerly a leading fashion designer in New York City,
moved out West in 1986 and turned her talents to writing, sculpting and
creating unique pieces of jewelry, which she considers “Body Art”.
A sculptor by nature, her designs are strong statement pieces; her
forms are influenced by nature and movement.

Fascinated with indigenous cultures, she found herself traveling to
different parts of the world collecting artifacts. Truly inspired, and back
in her studio, these artifacts are created into unique sculptural body art.
 Along with her travels and life experiences her writing has become an
influential part of her creativity.  Her poems have been published
in The International Library of Poetry.  A member of the International Sculptors
Association she is still involved with sculpting although her latest
focus has been on body art.

Bara's work can be found in galleries in the Western United States,
Florida, and Texas.  She has recently moved to Mexico.


Small Pots.  Reid Schoonover
We recently featured Reid's Schoonover's work here on the blog, but one can
never have too much of a good thing, we always say!

This collection of eleven tiny pots is particularly charming, with their
diminutive size, exquisite glazing, and sweet little lids made of
a variety of exotic woods, all personally crafted by the artist.

Visit them individually in the Gallery or in our online shop here, where
all eleven will be available for viewing around July 5th.

Shirt/Jacket, "Why Not" Pattern.  Kay Chapman
New items are in from the studio of Kay Chapman,
whose designs perfectly blend her fabric dyeing
techniques and the utter wearableness of her
designs, created to complement our lady-like figures.
  Classic, elegant, and fun all in one package
is a combination we heartily endorse!
Visit this and her other artful clothing here.

Early Morning Mist.  Renee Jameson
 Our very next blog post will have a little more to say about Bainbridge Island
monotype print artist Renée Jameson, but here's a quick look at one of her
beautiful pieces currently available in the Gallery and online.
Keep an eye on her artist's page, and check out the Preview section of the
online shop; there will be more of her pieces available for viewing around July 5th,
immediately prior to the upcoming exhibition, Carter Smith: Shibori Master, 
which will also feature her work The exhibition opens at the Gallery on July 11th.
Please enjoy what will no doubt be a glorious early summer!  We'll be back with the July Newsletter soon.  If you'd like to subscribe to have notice of our monthly Gallery Picks Newsletter delivered directly to your inbox, simply send us an e-mail at sr@theislandgallery.net and we'll put you on our mailing list.

Happy July 4th!